![]() ![]() Anderson said there was a long complicated sequence in the book that provided inspiration for this cool quick sight gag. As he enters, we see a glimpse in the deep background of camouflaged soldiers ducking down behind mounds of dirt. Yes, I look forward to seeing the film again.Īt the New York Film Festival after party at Tavern on the Green, I asked Anderson about an amazing shot where Doc is walking toward the dark entrance of a massage parlor in the middle of a wide open dusty construction site. As someone who has not read “Inherent Vice”–I caught up with his first chapter later–there are pleasures to be had from the movie, but comprehension is not one of them. Clearly, Anderson struggled to adapt this complex, rich source material and expects his audience to be familiar with the Pynchon novel. Here are the reasons why “Inherent Vice” faces a tough slog ahead.Įven the press kit supplies details and context from the book that are missing from the movie. ![]() I look forward to reading those reviews–they’re bound to be the best since the enigmatic Terrence Malick film “The Tree of Life.” That does not mean that “Inherent Vice” will satisfy a wide swath of moviegoers–even smart ones–although it will be a must-see for any self-respecting cinephile. detective mystery. This movie has already inspired critics to go to town with their takes on Pynchon, PTA and California noir. Is it successful? That depends on what you demand from an L.A. Doc smokes a lot of weed.Īnderson had long wanted to adapt Pynchon–this marks the first movie to do so. who tells him to wash his feet before she comes over for beachside weed and sex. Many of the superb ensemble have just one or two scenes–Martin Short memorably makes his mark as a cork-snorting dentist to rich heroin addicts losing their teeth (at least I think that’s what it was)–while others become key characters, notably “Renaissance detective” Bigfoot Bjornsen (Josh Brolin in a flat top), Doc’s troubled straight counterpart police detective with a sucking fetish who says, “sometimes it’s just about doing the right thing” Coy Harlingen, an amiably lost surf-sax player snitch (Owen Wilson), well-informed countercultural lawyer buddy Sauncho Smilax (Benecio Del Toro), and Doc’s straight gal pal Sandy Kimball (Reese Witherspoon), a cheerfully helpful assistant D.A. Soon various people are presenting themselves to Doc who are improbably connected to this sprawling conspiracy that leads to a vast organization called the Golden Fang, which we never quite comprehend. (Comparisons to “Fear and Loathing in Las Vegas” are not out of order.) This world is slippery and difficult to grab hold of–especially when most of the characters are addled out of their gourds. The war between the freaks and the straights and their mutual lack of trust is front and center in Anderson’s movie. Shasta has come to Doc in his professional capacity as a private dick, gum sandal hippie style. It’s the best scene in the movie. Shasta’s in trouble, and the extent of her problems soon become clear: she’s being drawn into a plot to do something very bad to her married older lover, California real estate mogul Mickey Wolfmann (Eric Roberts) who is improbably protected by the Aryan brotherhood. Excerpted from INHERENT VICE by Thomas Pynchon. ![]()
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